The Sacrament of Confession in Catholic School
Previously published in Corium Magazine and The Frayed Edge of Memory (Writing Knights Press, 2017)
In kindergarten, I sketched a vagina as a circle
lost in strands of hair, similar to a scribbled sun.
The inklings of want would soon
set sail. When I showed the drawing
to my mother, she somehow knew what it was.
Her suspicious eye taught me life is the pursuit
of the scribbled sun. The first time I drove a car alone,
zooming up the hill toward the highway, I took pictures
of the sunset without watching the road, as if heaven
could be captured with my own fingers. At sixteen
I stole Snickers bars at my first job. The dollar store
went under. It could have been worse. I told the priest
maybe God thinks I touch myself improperly.
He said to toss the dirty magazines, meaning
I didn’t change a thing. In marching band, I pressed
my mouth against the trombone’s silver mouthpiece
and kissed when I blew, spit coursing through the instrument’s body
until it dripped onto the checkered floor. I didn’t lose my virginity
too early. By then it was too late. I have seen the L.A. River
rub itself dry beneath the metal bridges, withered and silent,
while the ocean wets perpetual sand, and all I could do
was run my fingers through the tide’s receding hair.
In seventh grade the school librarian declared if anyone
in class could finish A Tale of Two Cities, it was me.
I did not finish. I was twelve and mastering arousal,
turning pages with fingers on thighs inside of skirts,
skulking my hand up to God, to the first time
I knew sanctity – and the feeling, unlike faith,
was enough to make me believe.
Opening Up
All words weird
trees all limbs
living novels
flipped to final
page the spine
of a god you
never could
believe in me
with constant
joking about
our future or
is polyamory
how we end
it gently?
James Croal Jackson (He/him)
James Croal Jackson works in film production. His most recent chapbooks are Count Seeds With Me (Ethel Press, 2022) and Our Past Leaves (Kelsay Books, 2021). Recent poems are in Stirring, SAND, and Vilas Avenue. He edits The Mantle Poetry from Pittsburgh, Pennsylvania. Find him at jamescroaljackson.com.
